Wednesday, June 10, 2009
Gotta Love D.C.
Monday, November 17, 2008
Ancient Civilizations and No Stripper
With only a few weekends left in London, I need to budget my time wisely and hit up what is absolutely essential. From what I had heard, the British museum is one of these such essentials. So today Luke and I gave ourselves a little education and soaked in thousands of years of art.
But first, food was necessary so what better for brunch than a pie from a delicious little Italian place off of Goodge Street.
The museum lived up to it’s reputation, full of priceless artifacts from ancient civilizations like friezes from the Parthenon. I learned today that those actually would have been painted. There was a computer simulation of what the Parthenon would have looked like with these strips of painted sculptures at the base of the roof. There were many scenes throughout the gallery that were either completely or 75% intact. The ruins were actually set up in the gallery approximately as they would have been in the Parthenon, so with the right amount of imagination, I felt like I was there, sandals, tunic, and all.
We even got our feet sandy as we headed back to ancient Egypt via a tour with a lovely volunteer. She told us all about the different dynasties and how the empire evolved with each new pharaoh. While their civilizations were evolving, some of their supposedly ‘new technologies’ didn’t quite work as well as those of old, particularly when it came to burial rituals. A very primitive Egyptian burial was simply a pit dug in the desert sand in which the body was places with whatever objects he or she made need for the afterlife. No sarcophagus, no tomb. Just sand. This preserved the body incredibly well, however, left the body susceptible to tomb raiders and scavenger animals. Hence, why they moved to the sarcophaguses and embalming to attempt to preserve the body for use in the afterlife.
Those with servants even had them killed upon their death, because you wouldn't want to lift a finger in the afterlife. One pharaoh eventually saw the cruelty in this, and since he was god after all, declared that servants could carve a figurine of themselves which would act as their masters servant in the afterlife.
Oh and the key to decoding text of the ancient world, the Rosetta Stone.
The British Museum also rotates some commissioned contemporary art pieces that are displayed amongst the permanent collection. We were lucky enough to see:
Anthony Gormley’s Case for an Angel I
Damien Hirst’s Cornucopia
Ron Mueck’s Mask II
Tim Noble and Sue Webster’s Dark Stuff (various mummified animals, collected on a metal stand with a light projector showing shadow faces)
Marc Quinn’s Siren (Solid gold statue of Kate Moss in a yoga pose)
We felt a lot smarter after leaving the museum, but we didn’t want to feel too pompous. Lucky for us there was a comic book store right across the street! They had some amazing comics, graphic novels, and books. My favorite was the comic of Firefly, a sci-fi/western series that was on Fox for not long enough.
We arrived back at MTH just in time for the guy’s floor party that was being held in the basement. I was really jacked to go because there was rumor that a stipper was going to be there. Truth be told, it was actually kind of lame. They ran out of beer way too fast and the pizza they promised the 40 of us that were there came an two hours late and in the form of four 8inch little pizzas. Certainly not enough to feed a basement full of hungry buzzed guys.
But meh. Got to play some foosball with pantsless little guys, watched the Packers play Chicago, and played cards with some cool guys from all over the world. It was cool having them ask, “where are you from?” Then I’d point to the screen and say, from where this game is being played.
The night ended at ISH bar with great conversation with Deb.
Saturday at the Office
I went into the office today. I feel like a real employee coming into work on a weekend. Before I went in though, I had
I was asked if I wanted to come in today, so I was going in under my own free will. I figured it wouldn't be the end of the world coming in for a panel discussion with some of the local community, and would actually be beneficial. The goal was to get feedback from invited youth and artists in the area to find out how LifeFM (soon to be Bang radio) can better cater to the needs of the community. Unfortunately, do to a very low attendance (no one from the community came at all) the meeting was cancelled. But it wasn't a complete loss since there was in fact work to be done, as usual, so I did some of that.
Did I ever mention this whole Life turning to Bang thing? It's actually been quite exciting lately. Life FM will be changing to Bang Radio on Dec. 8th, a complete re-branding. The music format / target audience isn't changing but the station is streaming-lining quite drastically. I've seen a lot of presenters that I've come to know well be let go as their show didn't quite fit the sound Bang Radio will embody. It's definitely been a good learning experience.
Monday, November 3, 2008
Gaming, Portraits, Evensong, Swashbuckling
- Van Gogh's Sunflowers, Long Grass w/ Butterflies (more abstract than I'm used to for Van Gogh) , and Two Crabs (which was different than any other kind of Van Gogh I've seen before)
- Seurat's Bathers at Asnieres
- Velazquez's The Rokeby Venus (woman on a bed looking in a mirror, her reflection stares back at the viewer)
- Beuckelaer's The Four Elements: Fire, Air, Water, Earch; a series of paintings each portraying a different daily seen of a market
- Delaroche's Execution of Lady Jane Grey (takes place at Tower Hill)
Monday, October 27, 2008
A Full Friday
Zhang Xiaotao
Feng Zhengjie: Chinese Portrait P Series 2006 No. 1
Sun Yuan and Peng Yu: Love it! Bite it: (and entire city made from dog chews)
Sun Yuan and Peng Yu: Angel
Bai Yiluo : Civilization
Since we were just a few blocks away, we decided to edumacate ourselves by going to the Science Museum just outside the Imperial College of London.
We saw the worlds first computers, planes, jet engines, an exhibit on plastic (most exciting), model ships, and a whole array of things you'd expect to find in a science museum. Excluding, however, the one thing I did expect to find, on of those pipes you hover your hand over to make your hair stand up. I mean, come on, how do you miss that?
The coolest section was the interactive children's section. The only downfall, all the damn kids. Although they didn't have the electric hair stand-up thingy, everything else made up for it's absence. This computer monitor to the right was one of my favs as it taught children about sound waves and audio. Basically what I do every day.
Before even arriving, we got a concert of our own on Brick Lane as we drank our cheap beer from the shop. This guy wheeled his kit around London and played wherever he wouldn't get kicked out of, and believe me, he knew what he was doing. Check him out.
Frieze, Everybody Clap Your Hands
Saturday, October 25, 2008
Rumshake, Park Art, and Moshi Moshi
Wednesday, October 22, 2008
An Evening of Proud
After work today, I got to see how one of my fellow interns is doing at her place of employment. Meredith is working at Proud Galleries. It's a sweet combinatioin of a concert venue, bar, and an art gallery. There are three branches of them in Camden and other parts of London. This one, on this particular night was giving away free drinks as a celebration / slap-in-the-face to the gallery next door who was trying to hold a celebration of their own.
Free drinks and cool photographs of musicians form the 70's? Pretty sweet place to work Meredith.
Sunday, October 5, 2008
Modern Art, Tate'nt All that Bad
10-3-2008
Today I felt like a college student in London. I set a record of sleeping in, 10:00. However, it was necessary after going to sleep six hours before that. I had a slow going morning. Eventually, I made it on my run. This time though, I brought my mobile with me to talk to others and figure out what I was to do with the rest of my day. I came to find out that my mobile actually tucks comfortably in a back pocket right above my buttocks. After one phone call, I decided to join a group with a tour of the Tate Modern Art Gallery.
Modern Art. The phrase entices some, and makes others cringe. I straddle the fence, which at times can be a bit painful.
Call me uncultured or someone who doesn’t appreciate all art, but about half the stuff in there just didn’t move me. And to me, that’s what art, in any form, should do. With modern art, the viewer spends too much time trying to interpret exactly what is on the canvas or exactly what a sculpture should be, that by the time it’s all figured out, emotion is an afterthought. I played a game with Rachel in which we tried to interpret what the artist intend in each work, or at least what our interpretation was. Each time our thoughts were completely different from the artists.
I guess my biggest critique of modern art is that so many of these artist are afraid to just be literal. There was a massive clay / bronze sculpture that took up the corner of a room. It looked like diarrhea pouring down from the heavens on to little turds below (I’m sorry but that’s the only way I know how to describe it). Upon reading the description, it’s supposed to represent a lightening bolt from the heavens giving life to yet undeveloped beings. Why can’t the blobs of poop on the ground at least resemble creatures and the pouring bowl movement from the heavens look like a lightening blot?
Another example: say you want to address the issue of domestic animal abuse. Instead of painting a picture of a battered dog cowering in a corner, you splash paint on a canvas while your dog watches….sounds ridiculous, but that’s modern art.
Now, some of it I absolutely LOVED. Take the previous example. You can draw a dog cowering in the corner and distort it all you want, but I still want to know it’s a dog. That’s the stuff I loved. There were even some completely ridiculous pieces that really spoke to me and I loved that. Here are my top picks:
- Paul McCarthy – Projection Room: very disturbing images of self-mutilation, but it does what it’s supposed to, makes the audience uncomfortable
- Jannis Kounellis – Untitled: a factory painted on the wall spewing smoke with two dead birds above the smoke with arrows though them
- Paul Nash – Landscape from a Dream: Surrealism which plays on the ideas of Frued
- Jackson Pollock – Naked Man with a Knief: very Picasso-like
- Edward Burra – The Snack Bar: Exaggerated figures in an everyday setting of a dinner bar, there exists an odd tension between the man, woman, and ham
- Diego Rivera – Mrs. Helen Wills Moody: huge face potrait
- Meredith (male) Frampton – Portrait of a Young Woman: she’s standing next too a cello, realism done very well, the picture is extremely vibrant and carries with it a radiant shine that cannot be caught from a camera. He said about this painting “[it is] a relaxation from commissions, and to celebrate an assembly of objects…beautiful in their own right”
- Cornelia Parker – 30 pieces of Silver: thousands of flattened pieces of silver arranged into 30 discs hung by strings, floating them about 6 inches above the ground. The shadows left by the images made the work. Upon further research into the piece I found out that the 30 pieces represent the payment to Judas for betraying Jesus
- Pawet Kwiek – a Polish pioneer in experimental video techniques
- Jenny Holzer – Inflammatory Essays: arranged into a colorful full wall display, about 12 essays each exactly 100 words and 20 lines
- Susan Hiller – States of Flux: five simultaneous videos focusing on telekinesis
- Ohh and I saw Andy Warhol and Pablo Picasso… I like Andy better.
And of course, I had to end the night at the ISH bar. Don't judge me. They have the cheapest drinks in London.
A Whole Lotta London
9-28-2008
Today I gallivanted around London with the ISH tour group. For a mere £22.50 we got a hipster guided walking tour around Parliament, Westminster, and Big Ben, a boat cruise of the Thames where a comical deck hand pointed out great sights along the way, lunch at a casual-smart diner (where I had some delicious salmon in a plumb sauce), and the icing on the cake a flight in the London Eye.
The guide on the boat informed us that a popular thing to do nowadays is get married on the London Eye. It’s quite perfect really. Round trip it’s a half hour flight. Do the beginning mumbo jumbo on the way up, say your vows and the very top, then it’s all down hill from there….I told you he was comical.
But really I can’t say much more about the London Eye. It’s an experience and I’ll try to let a picture do the talking.
Upon the end of the London Eye flight, our tour with ISH travel group was over, but our day has just begun. Jenny and I met up with a lovely German girl named Karen. The three of us spent a good hour watching the amazing street performers around the Eye. Then went to an exhibit surreal artist Salvador Dali.
His exhibit was a journey into the mind of a genius. Since I was in his head, I figured I would right down a few thoughts of this master:
- What is important is to spread confusion, not to eliminate it
- I’m in a permanent state of intellectual erection
- Life is aspiration, respiration, and expiration
- For me, love must be ugly, looks must be divine, and death must be beautiful
- The fact that I myself do not understand the meaning of my paintings at the time that I am painting them does not mean that they have no meaning
After Dali, we journeyed to Westminster for a 17:45 Organ Recital featuring the Deputy Master of Music at the Chapels Royal, Ian Keatley. We were surprised to see the he was joined by Jim Motherwell, Her Majesty The Queen’s Piper. It was a brilliant performance consisting for only four pieces.
- Prelude and Fugue in C - J.S. Bach
- Pslam prelude Set 1 No. 1 - H. Howells
- Highland Cathedral - Korb, Roever (almost put me in tears, featured the Piper)
- Final from Sept pieces Op. 27 - M. Dupre
