Saturday, August 8, 2009

A Musical Review: 9 to 5

A rainy Saturday is a blessing when you are in the amusement park entertainment business. We had one such glorious day on Saturday June 20th, and time away from the park cannot be wasted when you work six days a week. That’s why a group of us took the train into the city to see 9 to 5.

The show is written by Dolly Parton, which made me skeptical. I’m not the biggest country fan. However, I would barely classify this show’s music as country. It was musical theatre with a country flare and a huge flame of hilariousness.

Main character Violet Newstead, played by Allison Janney (may remember her from Juno, Harispray, American Beauty etc.), brings out her fair share of dry, sarcastic humor throughout the show. While Janney’s singing voice isn’t quite Broadway quality, it fits her part, monotone and strong. Perfect for the persona of a widowed woman in a man’s business world. Her acting, on the other hand, makses up for any shortcomings she may have.

The other main supporting actresses, Stephanie J. Block and Megan Hilty, were both part of the original Broadway cast of Wicked, and their unmatched acting and singing shown brightly. Hilty plays the seemingly bimbo-like secretary. As the show develops, so does her character, displaying a misunderstood office beauty. Block plays character Judy Bernly, a timid woman entering the business world after being left by her husband.

All three meet up and inadvertently take the CEO of their company hostage, resulting in no-so-cliché comedy, and a better work environment for everyone.

For a show that takes place mostly in what would seem to be a dull office setting, the sets were anything but mundane. Plus, the intense amount of dance and tight choreographed movement on stage is the same caliber as any other dance intensive show like West Side Story or Footloose.

Today was all around a surprising day. Didn’t expect to have off work, and didn’t expect to be so highly enjoying Dolly Parton’s country twang turned Broadway musical.

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