
I also figured it'd be convenient for stalkers, murderers, and rapists if I left them a detailed map of where I'd be at around town.
Where I've been, where I'm going, and a dash of what I'm thinking along the way.
While taking a look at this tables, I discovered how cool people can be in NYC. I was looking at some jewelry, specifically a leather necklace with a large charm on it. I asked the little old woman the price. $5 she replied. I was really only interested in the leather and told her such. She replied, "Oh, I can just give you that for free." I told her, "here's a dollar at least, take something." With a sharp turn of her head she yipped, "no." I thanked her again and off I went.
My other favorite place I shopped was a neighborhood sale in which all proceeds went to charity. Most everything was kinda junky, but much is was also right up my alley. My purchases include a couple cloth-knit ties, the coolest playset ever, and some bitch'n new shades.
I decided to walk back from Williamsburg to Bushwick as they border each other, and I figured I should see what kind of a walk it is. Little did I know I was about to discover how neighborhoods can drastically change by just a single turn.
As I mentioned, Williamsburg, very "where it's at." The artsy crowd that inhabits the area are total hipsters (see picture at left). Some have their issues with these ankle-hugging jean wearing bunch, but I dig 'em, these neo-hippies who carry the spirit of the 60's and the wardrobe of the 80's. That's Williamsburg, at least the nor then part of it.
I began my walk southeastish to get back to Bushwick. I continued straight down Bedford St. I don't know exactly what block it took place, but suddenly I was the only person with a t-shirt on. Everyone else was hardcore Jewish and gussied up for the Sabbath. I felt out of place, but also very relaxed. I stopped one of the men with the big fur hats on. "Can I ask you a few questions about Judaism?" I said respectful. "Umm depends what the question is. I only have until the next intersection." He was more than happy to enlighten a clueless non-Jew. Their whole way of life fascinates me.
I finally made it back to my apartment, legs aching from the day. After resting them and watching Entourage for an hour, I got a message from yet another friend from good 'ol Stevens Point. I grabbed a few drinks in Manhattan with a few Pointer actors and actresses whom I knew from their roles in UWSP productions.
Which bring me to today, which was pretty lame. Did some job searching online, prepared some job materials, and watched another season of Entourage. Went for a run and found a cheap gym a few blocks away. And now, wrote this post.
A pretty solid first week.
Since first arriving in New York, I’ve heard raving reviews about this off-Broadway show called Altar Boyz. This post is another such raving review.
But first a definition is in order, off-Broadway. I myself had a vague understanding of the word, but as I have learned, it has a concrete, simple definition. An off-Broadway show is a one in which the theatre holds less than 500 people. That’s it. Doesn’t mean the quality of the actors, sound, lights set, or any aspect of the show is anything less than fantastic. Because these shows are often in small venues, it requires the show to do a little less with sets and such, but the show itself can be just as entertaining as those flashy big staged shows.
Off-Broadway does, however, mean more risks can be taken. More risqué subject matter can be addressed. More absurd plots can be explored. Such as a group of four Catholic school boys, and a Jewish one, forming a Christian boy band, creating a show that is a completely mockery of Catholicism, Christian Rock musicians, and boy-bands. This is Altar Boys. In my humble opinion, it’s absolute genius.
As an audience member at Altar Boys, you are actually an audience member at the boy band’s final performance of their cross-country tour. Their goal is to spread the good word of God through their hip thrusting gyrations and tight vocal harmonies. At certain points throughout the show, they use their “Soul Searcher 5000” to scan the audience and see just how many souls they’ve converted.
They nail every hilarious boy band member persona: the ever-diligent leader, the obvious yet closeted gay, the Spanish conquistador of women, the recovering muscular alcoholic, and of course, the Jew. Each has a quite a back-story which is uniquely woven into the show.
With just a very talented four piece band on stage and the five vocalist/dancer, this show makes the off-Broadway community proud.
A rainy Saturday is a blessing when you are in the amusement park entertainment business. We had one such glorious day on Saturday June 20th, and time away from the park cannot be wasted when you work six days a week. That’s why a group of us took the train into the city to see 9 to 5.
The show is written by Dolly Parton, which made me skeptical. I’m not the biggest country fan. However, I would barely classify this show’s music as country. It was musical theatre with a country flare and a huge flame of hilariousness.
Main character Violet Newstead, played by Allison Janney (may remember her from Juno, Harispray, American Beauty etc.), brings out her fair share of dry, sarcastic humor throughout the show. While Janney’s singing voice isn’t quite Broadway quality, it fits her part, monotone and strong. Perfect for the persona of a widowed woman in a man’s business world. Her acting, on the other hand, makses up for any shortcomings she may have.
The other main supporting actresses, Stephanie J. Block and Megan Hilty, were both part of the original Broadway cast of Wicked, and their unmatched acting and singing shown brightly. Hilty plays the seemingly bimbo-like secretary. As the show develops, so does her character, displaying a misunderstood office beauty. Block plays character Judy Bernly, a timid woman entering the business world after being left by her husband.
All three meet up and inadvertently take the CEO of their company hostage, resulting in no-so-cliché comedy, and a better work environment for everyone.
For a show that takes place mostly in what would seem to be a dull office setting, the sets were anything but mundane. Plus, the intense amount of dance and tight choreographed movement on stage is the same caliber as any other dance intensive show like West Side Story or Footloose.
Today was all around a surprising day. Didn’t expect to have off work, and didn’t expect to be so highly enjoying Dolly Parton’s country twang turned Broadway musical.
"It's me, not you."